Bat Out of Hell, the hit musical featuring the songs of Meat Loaf, is closing in London’s West End after a run of over 3 years. The rock musical opened at the London Coliseum in 2017 and has played over 1,400 performances to date. However, producers have announced the show will end its London run on August 27, 2022.
Why is Bat Out of Hell closing in London?
There are a few key reasons why Bat Out of Hell is closing in London’s West End after a successful 3 year run:
- The end of the show’s booking period – Producers said Bat Out of Hell was originally booked for a limited season at the London Coliseum which has now come to an end. It is common for musicals to have a set booking period in a theatre.
- Declining ticket sales – While the show was very popular when it first opened, ticket sales have softened over the 3 year run. This is not unusual for a show that has been open for a long time.
- High running costs – With its large cast, band and theatrical sets, Bat Out of Hell is an expensive production to run. The running costs likely became too high to be sustainable.
- Competition from other shows – The West End market is very competitive. With so many musicals now open in London, attracting audiences night after night for an extended run has become more difficult.
In addition to these factors, the producers have suggested they want audiences to remember the show fondly at its peak, rather than risking a decline in quality as elements of the production age over an even longer run.
What has the reaction been to the announcement of the closure?
The announcement of Bat Out of Hell’s West End closure has been met with a mixed reaction from fans and theatre critics:
- Disappointment from fans – Many loyal fans of the show are upset to see it end and have expressed sadness at not being able to see it again. There is a great deal of love for the musical by Meat Loaf and Jim Steinman fans.
- Praise for an impressive run – Some have praised the producers for sustaining such an ambitious production for over 3 years, which is a considerable achievement in the tough West End market.
- Criticism of high ticket prices – There has been some criticism that high ticket prices may have contributed to declining sales, making the show inaccessible to some audiences after the initial hype died down.
- Calls for a UK tour – Many fans are now calling for a national tour to visit other UK cities, so more people around the country can experience the show.
Overall, while the closure is disappointing for supporters of the show, 3 years is considered a very respectable run for a big West End musical. Many feel it is the right time to end on a high.
What has contributed to the success and longevity of Bat Out of Hell?
There are several factors that helped Bat Out of Hell achieve a strong 3 year run in London’s West End:
- Popularity of Meat Loaf’s music – Meat Loaf’s Bat Out Of Hell album is one of the best-selling of all time. The musical showcases his most classic songs, ensuring audience familiarity.
- Spectacular production values – Critics praised the show for its high-tech sets, pyrotechnics, motorcycle stunts and visually impressive staging. This helped attract audiences.
- Relatable themes and story – The musical, written by long-time Meat Loaf collaborator Jim Steinman, features themes of youth, love and rebellion that resonated strongly with fans.
- Strong marketing and promotion – Producers invested heavily in advertising across print, TV, radio and online to raise awareness and promote ticket sales.
- Positive reviews – Many theatre critics praised the musical, helping to drive ticket sales. The show received several award nominations.
Bat Out of Hell proved a winning formula, blending the songs people love with impressive theatrical spectacle. This allowed the show to build a sizeable fan base during its initial run that continued to support it for 3 years in London.
What are the highlights and most acclaimed aspects of the show?
Some of the most acclaimed and talked about aspects of the Bat Out of Hell musical over its London run have included:
- The music and rock concert feel – Meat Loaf’s powerhouse rock music is the heart of the show. Many celebrated how the songs were performed with high energy to create an authentic concert atmosphere.
- The set design – Critics and audiences raved about the impressive set pieces, including a giant statue that came to life and a motorcycle that spectacularly flew through the air.
- The choreography and stunt work – The show incorporated athletic choreography and stunts, including intricately choreographed fight scenes.
- The cast’s performances – Leading actors like Andrew Polec as the rebellious Strat and Christina Bennington as the love interest Raven won high praise for their acting and singing performances.
- Lighting and special effects – Lighting, pyrotechnics and projections combined with the sets and rock music to create bold spectacle.
It was the way these elements came together seamlessly that allowed Bat Out of Hell to effectively recreate the adrenaline and excitement of a rock concert on stage each night.
What reception did Bat Out of Hell initially receive when it opened?
When Bat Out of Hell first opened in London in 2017, it received a fairly positive reception, with most reviews praising the spectacle while having some caveats:
- The Guardian called it an “audacious show” and praised the staging and cast’s vocal performances.
- The Telegraph labelled it a “full-throttle arena rock musical” and described it as “theatrically spectacular.”
- The Independent credited the show for conjuring the “spirit of rock rebellion” but felt the story was lacking depth.
- The Evening Standard said fans would “lap up every minute” but questioned whether it would appeal to wider audiences long-term.
- What’s On Stage called it “lovingly OTT” and said it did justice to Meat Loaf’s flamboyant rock image.
Overall, most felt director Jay Scheib succeeded in creating an exciting rock concert vibe, but there were some doubts about the show’s staying power and ability to attract tourists and casual theatre fans.
How did Bat Out of Hell later evolve over its 3 year West End run?
Over the course of its 3 year run at the London Coliseum, Bat Out of Hell underwent some changes and evolution:
- Cast changes – As is normal for long-running shows, there were regularly scheduled cast changes. This included new actors taking over the lead roles of Strat, Raven and other characters.
- Technology updates – Lighting, sound and stage technology was updated periodically to keep the show feeling cutting edge.
- Tourist outreach – More tourism partnerships were likely formed to attract foreign visitors to see the show as an established West End musical.
- Ticket discounts – Discounted tickets and promotions were likely used more frequently later in the run to help fill seats.
- Set list tweaks – Songs may have been swapped around or changed to inject some variety for returning fans.
- Covid measures – Safety measures such as mask wearing, testing and social distancing were implemented due to the pandemic.
These kinds of evolutions allow long-running productions to stay fresh. But after 3 years, it was likely challenging to continue finding ways to attract new audiences while competing with other newer musicals.
What legacy has Bat Out of Hell left on London’s West End?
Although it is now closing, Bat Out of Hell has left a strong legacy from its impact on London’s West End theatre scene:
- It demonstrated the ongoing popularity of Meat Loaf and his iconic music, introducing his songs to new generations of fans.
- It set a benchmark for theatrically ambitious productions, with impressive staged spectacles that other shows sought to emulate.
- The success and longevity of its initial run helped demonstrate the commercial viability of rock musicals in the West End.
- The production employed hundreds of creative professionals and helped boost London’s theatre industry and tourism.
- Its 1,400+ performances over 3 years gaveconstant employment to cast, crew and musicians.
For these reasons, Bat Out of Hell will be remembered as a highlight spectacle musical of London’s West End in the late 2010s and early 2020s. It showed that a well executed rock concert-style musical can achieve both critical and commercial success.
What will replace Bat Out of Hell at the London Coliseum?
Bat Out of Hell’s long run at the London Coliseum will come to an end on August 27, 2022. The theatre has not yet announced what musical will take over the venue next. Here are some possibilities:
- A revival of an existing musical – Popular shows like Mamma Mia!, Les Miserables or The Phantom of the Opera could potentially transfer to the Coliseum.
- A new musical – A brand new production could premiere at the venue.
- A concert residency – Rock bands or pop acts may schedule concert stints at the Coliseum.
- A play – Dramas and comedies could also utilize the space, though musicals are more common there.
- An opera or dance production – The Coliseum has a history of opera and ballet, which could return.
The large size and technical capabilities of the London Coliseum make it a prime venue for big budget musical theatre productions. Time will tell if the next tenant proves as successful as the 3 year run of Bat Out of Hell!
What are the most pivotal songs featured in Bat Out of Hell: The Musical?
Some of the most important and beloved songs featured in Bat Out of Hell: The Musical include:
Song | Original Artist | Notes |
---|---|---|
Bat Out of Hell | Meat Loaf | Iconic title track from the Bat Out of Hell album |
You Took The Words Right Out of My Mouth | Meat Loaf | High energy duet between Strat and Raven |
I Would Do Anything for Love (But I Won’t Do That) | Meat Loaf | Radio hit provides emotional moment |
Two Out of Three Ain’t Bad | Meat Loaf | Heartfelt power ballad |
Paradise by the Dashboard Light | Meat Loaf | Shows off vocal chops of ensemble |
Dead Ringer for Love | Meat Loaf with Cher | Raven’s big solo number |
Other songs included are “All Revved Up With No Place to Go”, “Making Love Out of Nothing At All” and “Heaven Can Wait.” The score showcases Meat Loaf and Jim Steinman’s hard rock roots and penchant for theatrical storytelling.
How does Bat Out of Hell: The Musical compare to other jukebox musicals?
As a jukebox musical featuring the songs of Meat Loaf, Bat Out of Hell can be compared to similar shows utilizing a music icon’s catalogue:
Show | Artist Featured | Similarities to Bat Out of Hell | Differences |
---|---|---|---|
Mamma Mia! | ABBA | – Popular rock catalogue – High energy numbers – Focus on youth/rebellion theme |
– More lightweight/comedic tone – Set to preexisting pop hits |
We Will Rock You | Queen | – Rock spectacle feel – Concert-like staging -futuristic, dystopian setting |
– Original story around songs – More sci-fi elements |
Jersey Boys | The Four Seasons | – jukebox musical structure – backstage story of a band – blue collar rock and roll |
– Bio-musical with direct narrative – Focuses on history of real band |
Like the best jukebox musicals, Bat Out of Hell weaves its newly written story around the pre-existing songs to create a seamless experience. The consistent hard rock style lends itself well to an immersive spectacle.
What has the critical and fan response been to Bat Out of Hell: The Musical over its full run?
Over the course of its 3+ year London run, Bat Out of Hell: The Musical received predominantly positive feedback from both professional critics and fans:
- Critics praised the musical spectacle and noted the ambitious staging was sustained throughout the long run.
- Fans consistently acclaimed the high-energy music, vocal performances and concert-like atmosphere.
- Many highlighted the talented cast, who took on vocally-demanding rock songs each night.
- Some reviewers felt the narrative was underdeveloped or cliched, though this bothered fans less.
- Ticket sales remained robust, indicating audiences continued to be entertained by the show.
Reviews remained mostly favourable even years into the show’s run. While the storytelling was seen as simplistic by some, the music, staging and performances were strong enough to carry audience support through 1,400+ performances.
Conclusion
After defying expectations with an exceptionally successful 3 year London run, Bat Out of Hell: The Musical is set to close this summer. It overcame an initial mixed response to become an acclaimed West End hit, demonstrating the enduring popularity of Meat Loaf’s iconic songs. Though the rock spectacle is ending, its legacy will live on through added exposure to the Bat Out of Hell album and influence on future jukebox musical productions in London. Fans may mourn the loss of this high-octane celebration of rebellious youth culture, but all good things must eventually come to an end – even for a Bat Out of Hell.