Death Cab for Cutie is an alternative rock band that formed in Bellingham, Washington in 1997. The band consists of Ben Gibbard (vocals, guitar, piano), Nick Harmer (bass), Jason McGerr (drums), Dave Depper (guitar), and Zac Rae (keyboards). Death Cab for Cutie rose to fame in the 2000s with critically acclaimed albums like Transatlanticism and Plans. Their unique indie rock sound featuring thoughtful lyrics and melodic guitar riffs has earned them a loyal following over the past two decades. But where exactly did this prolific band get their start?
History of Death Cab for Cutie
Death Cab for Cutie was founded in Bellingham, Washington in 1997 by Ben Gibbard and Chris Walla. Gibbard and Walla first met while attending Western Washington University in Bellingham in the mid-1990s.
Gibbard was previously in the band Pinwheel and had released a cassette under the name Death Cab for Cutie, named after a song by The Bonzo Dog Doo-Dah Band. Walla convinced Gibbard to form a full band under this name, and Death Cab for Cutie was officially created in 1997 with Walla on guitar and production, Gibbard on guitar and vocals, Nick Harmer on bass, and Nathan Good on drums.
The band started out locally, releasing the cassette You Can Play These Songs with Chords the same year. They signed to Barsuk Records in 1998 and released their debut album Something About Airplanes the following year. The album received positive reviews, bringing the band minor fame in the indie rock scene.
Early Success in Bellingham
In the early days, Death Cab for Cutie were favorites of the Bellingham live music scene. They played frequently at local venues like The Royal and The 3B Tavern. The band’s emotional, hook-filled songs soon earned them a devoted local following.
Bellingham’s music scene has long fostered independent artists, with its proximity to Seattle and thriving arts community at Western Washington University. Death Cab gained popularity amongst the city’s tight-knit community of musicians and music lovers.
Signing to Barsuk Records
Barsuk Records, founded in 1994, was and still is a prominent Seattle-based independent record label focused on emerging acts from the Pacific Northwest. Death Cab signed to Barsuk in 1998, right as the label was taking off and becoming a driving force behind Seattle’s indie scene.
Barsuk provided resources for the band to grow beyond Bellingham and record their debut album Something About Airplanes. Death Cab for Cutie became one of Barsuk’s standout artists, helping solidify the label’s reputation for nurturing talented young bands.
Death Cab for Cutie’s Time in Bellingham
Though Death Cab for Cutie is now known internationally, their roots lie in the quaint Pacific Northwest city of Bellingham, Washington.
Music Scene in Bellingham
Bellingham offered a nurturing environment for Ben Gibbard and Chris Walla to start their musical ambitions. By the mid-1990s, Bellingham had an energetic rock music scene driven by young students and artists. Popular live music venues included:
- The 3B Tavern
- The Royal
- The Spotlight
- The Rogue Hero
- The Wild Buffalo House of Music
These small clubs provided space for Death Cab for Cutie to hone their craft and build an early following. The intimate setting of Bellingham’s venues allowed the band to develop the personal, emotional style that became their signature.
Influence of Western Washington University
Another integral part of Bellingham’s scene was Western Washington University. Though Gibbard and Walla both dropped out, the creative energy and youth culture of the university helped inspire the band in their formative years.
College radio station KUGS-FM brought exposure to local bands like Death Cab. The diversity and arts focus of Western Washington University contributed to the thriving local music community.
Ben Gibbard’s Solo Projects
While building Death Cab for Cutie, Ben Gibbard also created music locally as a solo artist. He recorded homemade cassettes under the name Death Cab for Cutie, which eventually became the band’s official name.
Gibbard also began the electronic side project All-Time Quarterback in 1999 while still living in Bellingham. He continued to expand this indie electro-pop project over the next few years, while also gaining fame with Death Cab for Cutie.
Death Cab for Cutie’s Departure from Bellingham
By the early 2000s, Death Cab for Cutie had outgrown the Bellingham music scene and began focusing on larger success.
Signing to Atlantic Records
After gaining popularity with indie releases like 2000’s We Have the Facts and We’re Voting Yes and 2001’s The Photo Album, Death Cab signed to major label Atlantic Records in 2004. This paved the way for their first true mainstream success, 2005’s Plans.
They continued to build fame internationally over the next decade-plus on Atlantic. But as their popularity grew, their direct connection to humble Bellingham roots faded.
Relocation to Seattle and Los Angeles
With major label resources, the band members began relocating to larger industry hubs. Ben Gibbard moved to Seattle, while Nick Harmer headed to Los Angeles. Chris Walla also later moved to Los Angeles after Plans.
Seattle and L.A. offered more opportunities to grow their sound and fanbase. But it disconnected them from the tight-knit scene that first propelled their success.
Focus on Wider Fame over Local Roots
Death Cab for Cutie channeled their energy into recording acclaimed albums and touring larger venues worldwide. They were no longer scrappy college musicians playing Bellingham bars.
Their priorities shifted towards major commercial and critical success, and away from their Pacific Northwest roots. Bellingham became a small time stepping stone in the band’s history.
The Legacy of Death Cab for Cutie in Bellingham
Though Death Cab for Cutie moved beyond their local origins, their legacy remains a key part of Bellingham’s music history.
Remaining Ties to Bellingham
Death Cab for Cutie’s members have retained some ties to the town where it all began. Ben Gibbard and Nick Harmer have been known to return to Bellingham periodically. Gibbard even continued living in the area during the band’s early Atlantic Records period.
The band has also done occasional shows back in Bellingham over the years. And they express fondness and gratitude for the town’s role in their formation when interviewed.
Influence on Bellingham’s Music Scene
Death Cab for Cutie’s success put Bellingham on the map musically, inspiring other artists coming out of the college town. Their effect helped launch other notable acts from Bellingham like Odesza and The Posies.
To this day, Bellingham retains a vibrant local music environment. Death Cab for Cutie emerged from this creative community and helped cement the town as an unlikely indie rock hotbed.
Memories and Local Lore
In Bellingham, the band’s origins have passed into local legend. Longtime residents reminisce about seeing early performances at local bars and house parties.
Death Cab for Cutie’s ties to Western Washington University have made them icons on campus, with their music still often heard at college stations and events.
The band may have moved on, but in Bellingham, the lore of Death Cab for Cutie’s early days lives on.
Conclusion
Death Cab for Cutie’s multi-platinum, Grammy-nominated career launched out of humble beginnings in Bellingham’s underground rock scene. The nurturing musical community in this Pacific Northwest college town helped spawn the band’s signature indie pop sound.
Though Death Cab has long since left Bellingham behind, their origin story remains a point of local pride. And the band members still retain fond memories of the early days, paying tribute to their DIY start in bars and basements. From playing Western Washington University house parties to major music festivals worldwide, Death Cab for Cutie’s journey reflects the power of small town scenes to launch major musical success stories.
Album | Release Year | Record Label |
---|---|---|
Something About Airplanes | 1998 | Barsuk Records |
We Have the Facts and We’re Voting Yes | 2000 | Barsuk Records |
The Photo Album | 2001 | Barsuk Records |
Transatlanticism | 2003 | Barsuk Records |
Plans | 2005 | Atlantic Records |
Narrow Stairs | 2008 | Atlantic Records |